Current Faculty
Telegraph Quartet, quartet in residence
The Telegraph Quartet, consisting of violinists Eric Chin and Joseph Maile, violist Pei-Ling Lin, and cellist Jeremiah Shaw, was formed in 2013 with an equal passion for the standard chamber music repertoire as well as contemporary and non-standard repertoire, alike. Described by the San Francisco Chronicle in 2017 as “…an incredibly valuable addition to the cultural landscape” and “powerfully adept… with a combination of brilliance and subtlety,” the Telegraph Quartet was most recently awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award. Past prizes include the Grand Prize at the 2014 Fischoff Chamber Music Competition. The Quartet has since gone on to perform in concert halls, music festivals, and academic institutions from Los Angeles and New York to Italy and Taiwan, including Carnegie Hall, San Francisco’s Herbst Recital Hall and the San Francisco Conservatory of Music Chamber Masters Series and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. In 2016, the Quartet was invited as one of a handful of emerging professional string quartets from around the world to perform in Paris, France at the Biennale de quatuors à cordes, a showcase for major concert presenters of Europe and Asia taking place at the Philharmonie de Paris.
Jeffrey LaDeur, piano
Jeffrey LaDeur is known for his “delicate keyboard touch and rich expressivity” (San Francisco Chronicle) and playing described as “deeply moving, probing, felt entirely in the moment” (Eduard Laurel) Much sought after for his rare blend of insight, spontaneity, and approachable, communicative stage presence, Jeffrey has captured the hearts and minds of audiences from the Kennedy Center and Carnegie Hall to the Shanghai Conservatory and the Orlando Festival in the Netherlands.
Having inherited a rich tradition of pianism and interpretation from Annie Sherter, student of Vlado Perlemuter and Alfred Cortot, LaDeur has established himself as a compelling exponent of the French masters from Couperin to Ravel in addition to a diverse repertoire of canonical and alternative masterpieces. In March of 2018, LaDeur made his solo recital debut at Carnegie Hall on the centennial of Claude Debussy’s death, performing the composer’s complete Etudes with works by Couperin and Chopin. His acclaimed solo album, The Unbroken Line[MSR Classics) is devoted to music of Rameau and Debussy and has been hailed as “a masterpiece of understatement, simplicity, and ‘old school’ chord-playing where every note sings out with meaning” (Gramophone). In 2017, LaDeur founded the San Francisco International Piano Festival for which he serves as artistic director.
As a pianist, LaDeur integrates solo performance and collaboration, blending the intimacy of chamber music with the brio of concertante works. As founding member and pianist of the Delphi Trio, Jeffrey toured internationally with the ensemble for a decade and premiered William Bolcom’s first Piano Trio, written for the ensemble. With mezzo soprano Kindra Scharich he recently recorded To My Distant Beloved, an album exploring the relationship between Beethoven’s An die ferne Geliebte, Schumann’s Frauenliebe und -Leben and his epic Fantasy in C for solo piano, to be released on MSR Classics spring of 2020. Jeffrey has collaborated with distinguished artists such as Robert Mann, Bonnie Hampton, Ian Swensen, Axel Strauss, Geoff Nuttall, Anne Akiko Meyers, David Requiro, and Scott Pingel.
Dedicated to the principle that solo pianists thrive together, rather than as competitors, Jeffrey founded New Piano Collective, an artistic alliance of pianists, dedicated to uniquely personal artistry, collaboration, and ground-breaking programming. In 2017, LaDeur expanded the Collective and founded the San Francisco International Piano Festival, now in its fourth season, for which he serves as artistic director. The festival has quickly become of the most exciting and engaging music festivals in the country.
An active educator, Jeffrey enjoys giving regular masterclasses as a visiting artist to universities across the United States. LaDeur coaches gifted pre-college piano and string ensembles at Young Chamber Musicians in Burlingame, California.
LaDeur holds degrees from the Eastman School of Music and San Francisco Conservatory of Music in piano performance and chamber music, respectively. Jeffrey counts among his teachers Mark Edwards, Douglas Humpherys, Yoshikazu Nagai, and Robert McDonald.
Armen Ksajikian, cello
Admired as much for his artistry and as for his sense of humor, Armen Ksajikian started out his professional career at age 12 with the Abkhazian State Philharmonic in the former Soviet Union. Since 1976, Armen has been very active in LA’s musical life, working with such notables as Heifetz, Rostropovich, Van Cliburn, Pavarotti, Rosza, Giulini, Baryshnikov, Cage, Mancini, Corea, Dudamel, John Williams, Jerry Goldsmith, Randy Newman, Zubin Mehta and James Cameron, and with groups such as the Eagles, Incubus, System Of Down, and with the Duke Ellington, Dancing with the Stars and Academy Awards orchestras.
Armen has appeared as a soloist with the Nacional Orchestre du Brazil, Pacific Symphony, and Hollywood Bowl and Los Angeles Chamber orchestras, and regularly subs with the Los Angeles Philharmonic. He is a member of several ensembles including The Catgut trio, The Rio Trio, California String Quartet and the award-winning Armadillo String Quartet, with whom he performed Haydn’s complete string quartets in a 34 ½ hour marathon. He made his Carnegie Hall debut premiering a quartet by PDQ Bach in 1999 and has appeared in the Cabrillo, Colorado, Banff, Sitka Summer, Oregon Bach, High Desert, Park City and Venice Film festivals; the Rio International Cello Encounter and Jasper Festival of Music and Wine.
In 1993, Armen made his ‘limousine-driving” debut in James Cameron’s True Lies with Arnold Schwarzenegger and Jamie Lee Curtis. Also a busy recording musician – he has over 1,100 movies to his credit – Armen played his own “death scene” in the movie.
Armen’s performances in “less conventional” venues include 16-day whitewater tours down the Colorado River in the Grand Canyon, “concerts for grizzlies” inside a clarifier tank of an old pulp in Sitka, Copacabana Beach in Rio de Janeiro and at Neverland Ranch. He is particularly proud to have soloed with the Hiland Mountain Women’s String Orchestra at the Hiland Mountain Correctional Center.
Kindra Scharich, mezzo-soprano
Mezzo Soprano Kindra Scharich has been praised by The San Francisco Chronicle for her “exuberant vitality”, “fearless technical precision”, “deep-rooted pathos” and “irrepressible musical splendor.” As a dedicated recitalist, she has performed over 200 art songs in 12 languages and given solo recitals at the The American Composer’s Forum, La Jolla Athenaeum, The Wagner Society, Lieder Alive and the acclaimed Sala Cecília Meireles in Rio de Janeiro. In 2018 Ms. Scharich sang the U.S. Premiere of new songs of Anno Schreier as a co-collaboration between Deutsche Oper Berlin and Lieder Alive. She also continued her partnership with Brazilian pianist Ricardo Ballestero in performing and recording the non-Portuguese repertoire of the great Brazilian composer Alberto Nepomuceno.
A great proponent of Lieder and Chamber Music, she and Jeffrey LaDeur recently recorded “To my distant beloved”, music of Beethoven and Schumann, also to be released in 2020. She has collaborated extensively with the Alexander String Quartet, and in 2018 “In meinem Himmel: The Complete Mahler Song Cycles”, a recording of new transcriptions by Zakarias Grafilo, was released on the Foghorn label. In the world of opera, Ms. Scharich has sung over 30 roles ranging from Monteverdi to Philip Glass. She has taught and given master classes at the Yehudi Menuhin Seminar and Festival for Chamber Music at San Francisco State, Point Loma University and the University of São Paolo, among others. See kindrascharich.com for more information and upcoming concerts.
Gayle Blankenburg, piano
Gayle Blankenburg has performed extensively to great critical acclaim as a solo pianist, chamber musician, and vocal accompanist. She was a roster artist with Southwest Chamber Music from 1996 to 2003. Among nearly a dozen award-winning CDs recorded for Southwest Chamber Music on Cambria Records are her performances of Elliot Carter's song cycle Of Challenge and of Love (with soprano Phyllis Bryn-Julson) and the Carlos Chavez Invencion for solo piano. Her recording of Schoenberg’s Pierrot Lunaire with the LA-based ensemble “inauthentica” has received the highest critical acclaim from Gramophone Magazine, Opera News, and The American Record Guide.
She has performed in venues such as the Library of Congress in Washington, DC, at Cooper Union, the Tenri Institute, the DiMenna Center and the National Opera Center in New York City, the Schoenberg Institute in Vienna, Austria, the Hongtai Concert Hall in Xiamen, China, the ASEAN Festival in Nanning, China, and the Canterbury Performing Arts Center in Christchurch, New Zealand. She has also performed 6 concert tours in China, during which she also gave master classes at various universities.
Recently released is a CD of chamber music and solo piano works of Richard Cameron-Wolfe on the Furious Artisans label. A double-CD set of the flute/piano repertoire by Karl Kohn will be released on Bridge Records early in 2022.
The Los Angeles Times has reviewed her playing on numerous occasions, says, “Blankenburg played with elegant power and poise… Her crisp touch and light pedaling produced crystalline, pensive, haunting sequences... This is a gratefully idiomatic piece for a pianist with both power and a palette, requirements Blankenburg met easily.”
Ms. Blankenburg was a student of the distinguished pianists Menahem Pressler (of the Beaux Arts Trio) and Abbey Simon at Indiana University, where she received the Bachelor's and Master's degrees in piano performance, and where she was also awarded the coveted Performer's Certificate. She is currently on the piano faculties at Pomona College and the Claremont Graduate University.
Rachel Huang, violin
Rachel Huang, violinist on the Scripps College faculty, performs locally and abroad with The Gold Coast Trio, The Mei Duo and Duo 209; recent engagements have ranged from Quito, Ecuador to Xiamen, China. She also performs with Trio Lykos and Quartet Euphoria, ensembles in residence at Scripps College. Holding degrees from Harvard University and SUNY at Stony Brook, she has received grants for performance and scholarship from the NEA and the NEH. Her scholarly interest in music analysis extends to Jazz: with Hao Huang, she has co-authored published articles on the performance practice of Billie Holiday. For the past 30 years, she has had the privilege of sharing with her violin students the legacies of three great teachers, with whom she studied: Ivan Galamian, Dorothy DeLay and Robert Koff, all of them both late and lamented.
Clara Kim, violin
Adventure and collaboration are at the heart of NYC-based violinist Clara Kim’s multi-faceted career as new music performer, chamber music artist, and educator.
By commissioning, premiering, and championing the works of living composers, Clara has quickly established herself at the forefront of her generation in the interpretation of contemporary music. She has collaborated with some of today’s most celebrated and imaginative musical voices such as Christopher Cerrone, Stephen Hartke, Andrew Norman, Kaija Saariaho, Juri Seo, Chris Theofanidis, and Augusta Read Thomas, and continues to actively premiere works through her solo and chamber music projects. Towards her commissioning efforts with her quartet, Clara has received support from organizations such as Chamber Music America, The Koussevitzky Foundation, Concert Artists Guild, and Caramoor Center for Music and the Arts.
As a performer, Clara concertizes regularly and loves connecting with audiences, people, and communities across the world. Her significant engagements include performances at Carnegie Hall, Jordan Hall, Lincoln Center’s Alice Tully Hall, Merkin Hall, and Amsterdam’s Concertgebouw. Clara is a recipient of the St. Botolph Club Foundation Emerging Artist Award and a first prize winner of the Cremona Solo Violin Competition, in addition to a first prize winner at the MPrize Chamber Arts and Concert Artists Guild Competitions as a member of the Argus Quartet.
Also dedicated to community engagement and education, Clara directs Midori’s Orchestra Residencies Program, where she coaches and performs alongside violinist Midori. During the summers, she spends her time teaching at places like Interlochen, Greenwood, and Hawaii’s Pacific Music Institute.
Clara holds diplomas from Tufts University (English Literature), New England Conservatory, the Royal Conservatoire of The Hague, The Juilliard School, and a doctoral degree from the University of Southern California’s Thornton School of Music.
